Annabelle: Creation: Movie Review

Westley Smith

A few months ago The Crimson Screen reviewed the trailer to Annabelle: Creation and were not overly impressed with what we saw, not to mention confused on how this film related to the 2014 film Annabelle and The Conjuring. As noted in that article: it’s a real head scratcher.

To say that Annabelle had overstayed her welcome may have been a fair assessment. The first film, directed by John R. Leonetti (Wish Upon) wasn’t horrible, and it did have a few moments that were scary: The scene where Annabelle sits up and the demon is behind her, holding her, and the basement scene were both particularly well done. But there was WAAAAY too much padding in between the scares, with an overly predictable plot and stiff characters, and the way Annabelle (the doll) became cursed by a demon seem…well…odd – a drop of blood falls onto the doll and it’s suddenly cursed by a demon.

Okay…? It made no sense?

I know that Annabelle is pretty disliked around the horror community and people have voiced their opinion on the film openly on social media, being far less kind than I was above about the film. I think the point to Annabelle: Creation was a way of righting the wrongs made on the first Annabelle film without rebooting, resetting – whatever you want to call it – the Annabelle storyline.
So do they succeed?


The story follows a doll maker, (Anthony LaPaglia) and his wife (Miranda Otto), after losing their daughter in a horrific car accident. Twelve years after their daughter’s death, they welcome in a nun (Stephanie Sigman) and several children into their lavish, but out in the middle of nowhere, home. But what seems to be the ideal place for these kids, soon turns into a nightmare when Annabelle is unlocked.

The film was directed by David F. Sandberg (Lights Out) and produced by James Wan (Saw, The Conjuring). This time, Annabelle was handle right. The thing is: Annabelle – the doll – isn’t really that scary. She, unlike say Chucky from Child’s Play, doesn’t do anything; it’s what’s lurking inside of her that is scary, the demon, so everything around the doll needs to be scary, more-so than the doll itself.

That’s how this film is built. The tension is so tight with a slow burn story that by the end you are riveted to the screen, unable to take your eyes off what is happening.

There were several times in the film where I found myself gripping the seat in terror – there is a really effective jump scare that is nothing (and I mean that, nothing) but the way the tension is built around the scene I damn near came out of my skin. Seriously I did. And this is how Annabelle: Creation is, you find yourself jumping at just about everything, including small noises and creeks because the tension is so thick you can cut it with a knife at times. There were several times I heard people gasping at just noises.

The cinematography is fantastic in the film and Sandberg really knows how to use the camera to provoke fear with very effective use of low lighting, shadows and spots of pitch blackness where the demon lurks; it leaves so much to your imagination about what’s in the darkness that you can’t help but become frightened. There were times in the film where people started laughing, not because the scene was funny, but because they were so scared they had to release their fear, laughing was the only way. It was great!

I also really enjoyed the religious symbolism throughout the film. If you keep your eyes open you’ll see there are a lot of crucifixes in the movie, both upright and upside down, and that at times, sunlight casts crosses on the walls. This little added detail really helped the mood of the film and the battle of good vs evil.

All the actors in the film do a wonderful job, especially the two young leads (Talitha Bateman and Lulu Wilson) who have to endure most of the demons torment. The always wonderful Anthony LaPaglia was convincing in his roll of heartbroken father and caretaker of Miranda Otto’s creepy, but mysterious, Ester Mullins who’s locked herself away in her bedroom for unknown reasons.

Also keep an eye out for some Easter Eggs in the film that are going to be expanded upon further as this Conjuring Universe begins to build. There is one scene in the film (that is an Easter Egg) but done so masterfully, and extremely creepy, that it sends chills running right up your back. Oh, and stick around after the credits, there is a post credit scene…

Like I said above, Annabelle: Creation is a slow burn movie, and has the feel of a much older haunted house movie, like The Changeling, and it doesn’t rely on cheap jump scares with a loud noise to scare you; in fact there are very few traditional jump scares in the film, rather relying on tone, mood, setting, really well done sound design (maybe the best I’ve ever heard) and one really scary demon to frighten the bejesus out of you. Annabelle: Creation takes its times to get to the scares, letting the plot, characters, and mystery unfold slowly while the tension builds and builds into the final climax of the film when all hell breaks loose.

And the way they tied Annabelle: Creation to Annabelle was brilliant, and may just save that film from being looked at as unfavorably as it was when first viewed. I know I now look at the first Annabelle differently after seeing Annabelle: Creation and I think others will too.

10 out of 10 Stars

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